改编自Youtube原创剧集，讲述两个朋友在街头争斗中成为对手的故事。

《对峙麻雀溪》是Henry Dunham执导，詹姆斯·贝吉·戴尔、布莱恩·格拉格提等主演的美国剧情片，该片于2018年上映 [1-2]  。该片讲述了一场大规模枪击案后，七位民兵决定找出队伍中的叛变者交给警方的故事。一场大规模枪击案后，七位民兵藏匿于一个木材仓库中，与此同时，一行人有了一个不安的发现：他们的军械库丢失了一支AR-15步枪，而这把武器的型号正与传闻中枪击案肇事者所用完全一致。担心当局已将他们与枪击案联系在一起，为了自身的安全，民兵们决定找出队伍中的叛变者交给警方。前任警察Gannon作为防止警方卧底渗透的安全调查员被派遣进入案件调查组。然而，一系列附近民兵传来的神秘信息使紧张的局势加剧，一场更大的阴谋逐渐浮出水面......一天晚上，前警官甘农正在吃饭，突然听到远处有自动枪声和爆炸声。他在听警察广播时听到消息称，一名枪手在警察葬礼上开枪，嫌疑人已徒步逃跑。甘农开车前往一个僻静的仓库，在那里他遇到了他所在的当地民兵组织的其他 6 名成员。他们发现军械库中的一支步枪以及防弹衣和手榴弹失踪，确认该组织中有人是枪手。他们决定在仓库里待一整夜，直到查出是谁开枪的。没有一个成员会承认。该组织的主要嫌疑人是莫里斯，他是一名前成员雅利安兄弟会，还有基廷，一个从不说话的年轻人。当贝克曼操作无线电设备和鱼类追踪器以查看是否有人接近仓库时，甘农与诺亚交谈，他知道诺亚是一名分配给民兵的卧底警官，并决心通过调查确保他的安全。甘农首先审问莫里斯，莫里斯承认枪击事件是对警方掩盖强奸和杀害他女儿的报复，但民兵事实上的领导人福特介入，告诉甘农莫里斯撒谎是为了引起人们对他女儿谋杀案的关注。福特怀疑诺亚，并威胁诺亚如果不承认枪击事件就杀掉他。贝克曼在广播中听到更多民兵枪击事件正在发生，受到最初枪击事件的启发，贝克曼试图广播说他们的民兵与枪击事件无关，但无济于事。基廷终于和甘农说话，说他不说话是因为他更喜欢一个人呆着。甘农读了基廷的日记，在日记中他声称想要枪杀他的学校，而基廷既没有证实也没有否认他实施了枪击事件。甘农决定，他需要死，以便给警方一个替罪羊，理由是他被迫杀死自己的搭档，以维持自己的掩护，并让警方有理由逮捕三K党成员，但在他开枪自杀之前，基廷承认了枪击事件，并通过无线电供认不讳。然而，警方认为该供词是虚假的，并表示他们在过去一小时内收到了多份供词。福特认为甘农正在保护诺亚，他觉得他们作为警察的共同历史与诺亚有联系，并将诺亚从仓库的绞索上吊起来。然而，执行被一队警车的到来打断了。。甘农和诺亚都离开仓库并向警方自首，甘农告诉福特告诉警方他们都是枪击事件的凶手。其余的民兵武装与警察对峙，他们手持步枪，身穿防弹衣，但只要其中一人采取行动，警察就会开枪射击，除了投降的甘农和诺亚外，所有民兵都被杀死。诺亚随后承认，警方伪造枪击事件是为了让民兵相互不信任，并给他的小队一个消灭民兵的理由。甘农差点开枪射杀诺亚，但他心软了，把枪给了他，让他走开了。警方询问甘农是否愿意重新加入他们；在他做出决定之前，影片切换为黑色。

影片讲述了在休斯顿的郊区，一个十几岁的女孩因母亲的监禁变得堕落，一个年迈的斗牛士努力在斗牛竞技场上站稳脚跟，这2个人形成了一种不太可能的关系纽带，并试图纠正各自的道路。

From award-winning Lucía Puenzo, comes Dive, starring Karla Souza in a dramatic tour de force performance in this story about the complexities of relationships when set against a backdrop where winning is defined as the ultimate dream

“疾速天使” 系列是当今颇具影响、广受青少年喜爱的小说，作品将科幻与奇幻元素巧妙地融为一体，充满了速度感、悬疑感和冲击力。六个孩子被送入实验室接受残酷的基因改造，变成了长有翅膀拥有超能力的鸟孩。他们逃离、反叛，在残酷的试炼中发现他们的力量正是为了这个世界而存在。　　故事极像快速推进的大片，充满悬疑的故事、环环相扣的谜团、匪夷所思的超能力。不断切换的场景，第一人称的叙述方式，带读者迅速进入故事情境。让读者与六个孩子一起遭遇挫折、触摸感动，踏上探索生命真谛与未来命运的旅程！

The film tells futurist, architect, and inventor R. Buckminster Fuller's incredible story through two teens hoping to get laid, become punk gods, and survive high school.

来自屡获殊荣的Lucía Puenzo的《潜水》，由卡拉·索萨主演，在这个故事中戏剧性的表演，讲述了在一个将胜利定义为终极梦想的背景下，关系的复杂性马里尔是一名年轻的跳水运动员，她正准备参加奥运会，但在发现教练和搭档性侵多名女性后，她发现自己被教练和搭档操纵。马里尔是一位经验丰富的跳水运动员，她有最后一次机会实现她的奥运梦想，但一个可怕的事实浮出水面，让她面临着一生中最重要的问题：最伟大的梦想的定义是获胜吗？屡获殊荣的 Lucía Puenzo 执导的`《Dive》由卡拉·苏扎 (Karla Souza) 主演，在这部戏剧性的杰作中，讲述了在获胜被定义为终极梦想的背景下人际关系的复杂性

它探索了一个美丽而令人难忘的故事，讲述了一个女人为讲述自己的故事而斗争的故事。

In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.　　The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.　　As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.　　Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.　　The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

60岁的茱莉娅（朱莉娅·奥蒙德饰）和年轻帅气的本杰明（本·巴恩斯饰）一见钟情，茱莉娅的孩子们认为本杰明不是真命天子而是掘金男，觊觎母亲的财产，所以想尽办法拆散他们…朱莉娅·戴 (Julia Day) 是一位富有的女性，刚刚离婚，她的三个孩子帕特里克 (Patrick)、德拉 (Della) 和利奥 (Leo) 因某些原因已经长大成人，最终独自在伦敦度过了 60 岁生日。在大英博物馆度过了一个下午，她遇到了一位名叫本杰明·格林的年轻人，她立即被他迷住了。他们开始约会，她最终把他介绍给她的孩子们，孩子们立即怀疑他是个拜金者。与此同时，帕特里克在工作和养家方面都面临着压力。他甚至试图抵制在工作中与一位同事发生外遇。帕特里克和德拉仍然怀疑本杰明的意图，他们决定监视他。他们最终发现本杰明陷入了妥协的境地，这可能会结束他与朱莉娅的关系。与此同时，黛拉得知前女友回到伦敦后，很难与她和好。在拜访朱莉娅位于德文郡的家中时，本杰明遇到了她以前最好的朋友玛莎，并了解到朱莉娅与她的前夫泰德的关系。帕特里克和德拉拜访朱莉娅，并向她展示了本杰明不忠的证据。然而，本杰明在与朱莉娅对质后消除了误会，两人的关系也更加牢固。他最终搬进了她的家，这让利奥非常懊恼。沿着悬崖行走时，本杰明向朱莉娅求婚，朱莉娅立即接受了。朱莉娅告诉泰德她与本杰明订婚了。泰德向与他有外遇的玛莎求婚作为报复，但玛莎因为朱莉娅的原因拒绝了他。与此同时，朱莉娅在圣诞晚餐期间向孩子们宣布订婚，但孩子们立即反对。帕特里克决心保护母亲的财富，说服朱莉娅签署婚前协议。据透露，朱莉娅与特德的关系是一种虐待关系。在庆祝利奥 25 岁生日时，本杰明同父异母的弟弟基隆意外出现。这威胁到了朱莉娅和本杰明的关系，因为本杰明声称他是独生子。朱莉娅相信本杰明隐藏的事情比他所透露的要多，于是前往他的家乡，在那里她发现了他的秘密。与此同时，利奥与基隆成了朋友，基隆激励他建立一家商业企业，但朱莉娅在本杰明的影响下拒绝投资。里奥为了报复，让她和泰德住在一起，这让朱莉娅很不高兴。婚礼当天，朱莉娅因本杰明的过去被揭露而感到震惊。她逃离婚礼，但本杰明最终找到了她。了解本杰明的故事后，朱莉娅面临着决定她未来的最终决定。