搜索"刘易斯" ，找到 部影视作品
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巴黎侦探亨利·卡辛（史蒂文·杰雷 饰）在一次姗姗来迟的假期中爱上了乡村旅馆老板皮埃尔·米肖的女儿纳内特（米什琳·谢雷尔 饰）。她是一个简单的女孩，有一个嫉妒的男朋友莱昂（保罗·马里昂饰）。尽管如此，侦探还是与她订婚了。在订婚派对的当晚，女孩失踪了，后来又死了。卡辛认为明显的嫌疑人是莱昂，但很快他也被发现被杀。不久，纳内特的母亲（安·科迪 饰）收到警告，称她将是下一个死去的人，然后被发现被勒死。皮埃尔担心自己的安全，决定卖掉旅馆。亨利回到巴黎，利用他的调查技巧描绘出凶手的样子。令亨利惊讶的是，这幅素描是他自己的。当他把鞋子踩进脚印时，他意识到自己就是凶手。在向警察局长完全坦白后，亨利接受了精神科医生的评估，医生确定他患有精神分裂症。尽管受到警卫的监视，亨利还是逃回了圣玛戈，并试图勒死皮埃尔。跟踪侦探到村里的警察局长当场抓住了他并将他开枪打死。[2]巴黎警探卡森在一家乡村旅馆度过了一个急需的假期，旅馆主人已成年的女儿对他表现出兴趣，但她有一个嫉妒的男朋友。卡辛需要他的技能吗？一位冷酷无情的著名巴黎侦探 11 年来第一次在法国乡村的一家小旅馆度假。在那里，他遇见并爱上了酒店老板的女儿，她已与附近的农民订婚，但希望嫁给他并搬到巴黎。订婚当晚，未婚妻和农夫都失踪了。他们发生了什么事？谁是负责的人？这位著名侦探能否将他的才华运用到乡村悬案中呢？专员担心他最好的侦探亨利·卡辛需要休假，但亨利却无处可寻。他出现在办公室，当时他正在巴黎的街道上闲逛。他被护送到一个小村庄，在那里他受到了名人般的欢迎。中年寡妇布里德尔似乎对他垂涎欲滴，但旅店老板妈妈却与女儿纳内特密谋引诱这位伟人。纳内特与年轻农民莱昂订婚，但她不想永远留在村子里。她想住在巴黎，看看世界。亨利带纳内特去乡下。尽管他们年龄不同，但他显然爱上了她。但莱昂发现纳内特正在亲吻亨利，他警告他不要打扰她。当皮埃尔出城时，亨利和纳内特坠入爱河并订婚了。在他们的订婚派对上，莱昂回来了。他警告亨利，他永远不会让纳内特走，他将跟随他们去巴黎。他冲出旅馆，纳内特紧随其后。第二天早上，纳内特还没有回来。不久之后，她的尸体被发现漂浮在河里。当地警方请求亨利协助破案。在检查尸体后，他意识到她是被勒死的，后来被扔进河里上游的某个地方。莱昂的农场在上游。警察来到农场，发现了莱昂的尸体，他手里紧紧握着一罐毒药。亨利意识到他不可能毒死自己。事实上，他也被勒死过。他们能找到的唯一线索是隐藏在尸体下面的一个脚印，但被凶手忽视了。第二天，在赫尼的门下发现了一张纸条，上面写着：“另一个人将会死去。” 亨利试图追踪线索，但无法识别凶手。信纸很常见。当地银行家无法识别该笔迹。然后，旅店老板来到他身边。他收到了一张写给他妻子的字条，上面写着她将是下一个死去的人。亨利向他保证凶手不会发出警告，但当他们去妈妈的房间时，她也死了。由于无法侦破此案，亨利返回巴黎。他告诉专员他失败了，但他根据目前掌握的线索已经勾勒出凶手是谁。专员召集了一位素描艺术家，他开玩笑地暗示素描（减去一张脸）很可能就是亨利本人。亨利告诉他把自己的脸放在画上。他宣布所有线索都指向他自己。他的鞋子适合鞋印。他有动机，也有机会。他对谋杀案没有任何记忆，但他自首了。专员在他的门口安排了一名警卫。专员与医生讨论了此案，医生表示亨利完全有可能患有“精神分裂症”，即人格分裂。他的健忘（他被送去度假的原因之一）可能是一个早期的线索。当他们去他的房间和他说话时，亨利击倒了守卫并消失了。亨利乘坐火车前往村庄。在那里，他遇到了旅店老板，后者不同意他女儿与他订婚。他试图勒死他，但专员出现并透过窗户向他开枪。案件侦破后，他去世了。
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On a rainy night in 1928 in a Pennsylvania factory town called Iverstown, Martha Ivers (Janis Wilson), thirteen years old, is trying to escape from the guardianship of her wealthy, domineering aunt. Her friend, the street-smart, poor Sam Masterson (Darryl Hickman), comes for her through her bedroom window, but Martha's aunt catches them. While Sam slips out unnoticed, Martha hits Mrs. Ivers on the head, causing her to fall down the long staircase and die. Though Sam saw nothing, the event was witnessed by Walter O'Neil (Mickey Kuhn), the son of Martha's tutor (Roman Bohnen), known as Mr. O'Neil. Martha lies about the incident to Mr. O'Neil, and Walter supports her.[5] Mr. O'Neil suspects what happened but presents Martha's version of events to the police, that an intruder is responsible; he makes use of his knowledge by having her marry his son. When the police identify a former employee of the aunt as the murderer, the two O'Neils and Martha help convict him; he is punished by hanging.[5] Eighteen years later, the older O'Neil has died. Walter (now played by Kirk Douglas) is the district attorney, while Martha (Barbara Stanwyck) has used her inheritance from her aunt to build a large business empire. Their marriage is one-sided; he loves her, but she does not love him. Sam (Van Heflin), now a drifter and gambler, stops in the small town by chance to have his car repaired after an accident. While waiting for repairs, at his old home, now a boarding house, he meets Antonia Toni Marachek (Lizabeth Scott), who has just been released from jail. She is later picked up for violating her probation by not returning to her hometown. Sam goes to see Walter, to see if he can use his influence to get her released. Walter is convinced Sam has returned with blackmail in mind, giving Walter a motive to run Sam out of town. When Martha reacts with joy to the news of Sam's return, Walter's jealousy provides an additional motive. Walter forces Toni to set Sam up. Sam is beaten and driven out of town, but he is too tough to be intimidated. When all else fails, Walter makes a half-hearted attempt to kill Sam himself, but is easily disarmed. Martha then inadvertently blurts out the couple's fears of blackmail, which prove to be groundless Sam says he did not witness the death. Martha breaks down and laments that he left without her all those years ago, taking with him her only chance for love and freedom. Sam is torn between his old love and his new. Although he eventually forgives Toni for betraying him, he and Martha spend an idyllic day together, rekindling his feelings for her. Walter arranges to meet Sam to finally settle matters. Before Sam arrives, Walter gets drunk and Martha finds out about the meeting. When Walter falls down the stairs and is knocked unconscious, Martha urges Sam to kill him. Sam instead brings Walter around. Martha pulls out a gun and threatens to shoot Sam in self defense as an intruder. However, Sam gambles that Walter will not back up her story; he turns his back on her and leaves. Walter embraces and kisses his wife; then he points the gun at her midriff. Oddly relieved, she puts her hand over his hand on the trigger and presses. As she is dying, she defiantly states her name is not Martha Ivers, but Martha Smith. Outside, Sam hears the shot. He runs back toward the mansion, but sees Walter, holding Martha's body, shoot himself. Sam and Toni drive away together.
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赫伯特的女朋友离开他之后，赫伯特非常沮丧，开始找工作。他终于在一个大房子里找到了一个，里面住着许多女人。他能和所有这些女人住在同一个家吗？
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该片改编自加拿大作家Mordecai Richler1997年的同名传记体小说。 男主角保罗·吉亚玛提曾获第68届金球奖最佳男主角奖项。 巴尼·潘诺夫斯基（保罗·吉亚玛提 Paul Giamatti 饰）是一个电视导演，同时又是一个曲棍球爱好者。酗酒、抽烟、言语粗俗，这些缺点无一例外跟随着他。65岁之时，他开始追忆自己的一生。他遇过不同的女人：第一任妻子克拉拉（蕾切尔·李费佛 Rachelle Lefevre 饰）相信自由的灵魂。第二任P夫人（明妮·德里弗 Minnie Driver 饰）是个富有的犹太人。第三任妻子米利亚姆（罗莎曼德·派克 Rosamund Pike 饰）美丽贤惠。而保罗与父亲伊西（达斯汀·霍夫曼 Dustin Hoffman 饰）的关系似乎缺少一种真正的亲情。暮年的他，回忆起过往的种种，又会是怎样一种情绪......
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戴蒙德上校被告知停止监视黑帮头子布朗,因为这种监视耗费过多的金钱,并且没有取得效果。戴蒙德唯有尝试通过布朗的女友来获得针对布朗的证据。《大爵士乐队》（The Big Combo）是一部于1955年上映的美国黑帮电影，由约瑟夫·刘易斯执导，菲利普·约尔丹担任编剧。故事发生在一个腐败的都市，讲述了警察局长布朗（理查德·康特饰）与黑帮头目布朗（柯纳·王尔德饰）之间的斗争。布朗是一个腐败无道、手段狠毒的黑帮老板，他控制着城市的犯罪活动。而布朗则是一位正直的警察局长，他决心揭露布朗的罪行，清除城市的黑暗势力。在调查的过程中，布朗结识了歌手苏珊（Jean Wallace饰），并与她陷入了一段感情。然而，这段感情使得苏珊成为了布朗与布朗之间的危险博弈的牺牲品。为了保护苏珊和揭露真相，布朗不惜冒险与布朗展开最后的决斗。《大爵士乐队》以其阴暗的氛围、扣人心弦的剧情和出色的演技而著称。柯纳·王尔德饰演的布朗展现了黑帮头目的残忍和冷酷，理查德·康特则饰演了坚毅正直的警察局长。两位演员的对手戏极具张力，为影片增添了紧张感和悬疑氛围。《大爵士乐队》在探索黑帮犯罪的同时，也探讨了正义与道德的较量。它揭示了黑暗势力与正义力量之间的斗争，以及个人勇气和坚持的重要性。影片通过精心构建的剧情和引人入胜的演出，成功地展现了黑帮电影的经典元素。《大爵士乐队》是一部充满紧张刺激的黑帮电影，以其扣人心弦的剧情和出色的演技而广受赞誉。它不仅是一部情节紧凑的犯罪片，同时也探讨了人性的复杂性和正义的力量。
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Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.